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- The Wretched of the Earth by Frantz Fanon
- We Were Eight Years in Power by Ta-Nehisi Coates
- Discourse on Colonialism by Aimé Césaire
- From #BLM to Black Liberation by Keeanga-Yamahtta Taylor
- Black and British: A Forgotten History by David Olusoga
- Girl, Woman, Other by Bernadine Evaristo
- Between the World and Me by Ta-Nehisi Coates
- The Myth of a Post-Racial Society by Kalwant Bhopal
- I’m Telling the Truth by Basset Ikpi
- The Heart of the Race by Beverly Bryan (and more)
- The Good Immigrant by Nikesh Shukla and others
Visit our Library for more recommendations!
On June 16, 2020, Kering, a French-based multinational corporation specializing in luxury goods, appointed Emma as their Chair of the Sustainability Committee of the Board of Directors. Read their announcement here.
Do you have photos, magazine scans, videos, or anything that you'd like us to add to our Emma Watson archive? If so, you are more than welcome to send them our way. We are always accepting content donation, and we will aways credit you - just make sure you give us a name and a link. If you have...
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While during a interview to promote Beauty and The Beast for Pool Fiction, Emma interrupted her co-star to fix the reporters make-up. It’s something very sweet and we couldn’t help but share with you guys!
Disney’s live-action remake of Beauty and the Beast has quickly become one of the most eagerly anticipated movies in history, smashing records when its first trailer racked up more than 127 million views in just 24 hours last November.
While the reimagined romantic classic, featuring Emma Watson and former Downton Abbey star Dan Stevens, might seem like the ultimate celebration of heterosexual love, it’s actually harbouring a treasure trove of gay secrets – and is set to make history with Disney’s first ever “exclusively gay moment” on film.
As Emma and Dan sit down with Attitude for our brand new April issue – available to download now and in shops today (March 1) – director Bill Condon reveals the heartbreaking true story that helped shape the 1991 film, and how it inspired him to create a character who would break new ground when it comes to LGBT visibility on screen.
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Emma Watson gives out advice to strangers at Grand Central Terminal in New York City on this episode of “Derek Does Stuff With a Friend” with Derek Blasberg.
Since her years as Hermione ended, Emma Watson has fought to assert her own identity. Now that she has found her voice—most notably as a U.N. ambassador—she’s revamping a classic stereotype, the Disney princess, in Beauty and the Beast, the live-action musical coming out in March. Watson talks to Vanity Fair about her metamorphosis from child star to leading woman.
Emma Watson and I are standing on the 23rd Street platform of an uptown-bound E train in New York City and we’re littering. Literally. And literature-ly. The 26-year-old actress is scattering hardcover copies of Maya Angelou’s book Mom & Me & Mom throughout the station—tucking them between pipes, placing them on benches, atop the emergency call box—in hopes that New York commuters will pick them up and put down their smartphones. This display of civil disobedience was conceived by Books on the Underground, a London-based organization that plants books on public transportation for travelers to discover. “We’re being ninjas,” she says with a conspiratorial grin as she digs in a big black rucksack of books. “If there were anyone to be a ninja for, it’d be Maya Angelou.”
Watson is one of the most famous women in the world, the child star who skyrocketed to global fame at the age of 11 playing brainy Hermione Granger in the Harry Potter movies. Next month, she’s back on the big screen as Belle in Disney’s Beauty and the Beast, the big-budget live-action musical—she sings too!—which broke the record for most viewed new movie trailer. (That’s 127 million views in its first 24 hours, beating Fifty Shades Darker’s record.) But today she’s makeup-free, her hair shoved into a bun, and she’s wearing a nondescript dark wool coat over a baggy black sweater, completely blending in with New York’s distracted mass-transit masses.